On the seat beside him, in between him and his father, Ryan’s severed h and is resting on a bed of ice in an eight-quart Styrofoam cooler.
Dan Chaon’s second novel and fourth book, Await Your Reply, which was published in 2009, intertwines 3 seemingly unrelated narrative threads that exude echoes of each other, assuring the reader that they will eventually come together. And they do. But no spoilers here.
3 threads. 324 pages. 3 parts–each one divided into numbered chapters.
Chaon gets each of the threads off the ground in a hurry: the 1st chapter is 2 pages; the 2nd is 5 pages; the 3rd is 3 pages. Bam. In 10 pages, the reader is aware of all 3 plot lines.
The “severed hand” scene comes first and takes place at night in a car. Chapter 2 begins with Lucy and George leaving town in the middle of the night. “Not fugitives–not exactly.” AND “They would make a clean break. A new life.” (Chaon has a sense of humor.) In Chapter 3 again a character is driving a car. And I wish I had time to count how many times the word hand or hands is used in each of the threads.
As I said, because of the repetition of images and details and echoes of themes, the reader knows that these threads are related. So the reader’s mind is fully engaged as she is reading, trying to answer the question of how. It’s like a treasure hunt. We’re looking for clues, reading carefully because we don’t want to miss anything. All of this creates energy and narrative drive.
In July in Vermont, Dan said that with Await Your Reply, he began with 3 images and a story, but that he had no idea how they were connected until the end of the first draft. He said that the second draft is always “super important” to him because he’s looking for iconography, like tarot cards, to signal where the power is–where an image and/or a moment is important.
Each image distinct and capsulized, like tarot cards laid down one by one. (147)
Read it, if you haven’t already. You won’t be disappointed.
~1st in a series
~cross-posted at Catching Days